Painted another French scene from my own photos. It's up to the painter what he leaves in or takes out and this was no exception as I was more interested in getting a painting, not a photograph. The photograph, like the sketch is only a starting point. From here on I'm more interested in getting the right feeling of light, putting light against dark, softening and hardening edges etc. I liked the fact that he seems to be the only one working as the other waiter stands by and everyone one else is either talking or sitting.
Painted another French scene from my own photos. It's up to the painter what he leaves in or takes out and this was no exception as I was more interested in getting a painting, not a photograph. The photograph, like the sketch is only a starting point. From here on I'm more interested in getting the right feeling of light, putting light against dark, softening and hardening edges etc. I liked the fact that he seems to be the only one working as the other waiter stands by and everyone one else is either talking or sitting.
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