Sunday, 8 May 2011

Liverpool painting No.121. Tunnel Road.















21cm x 14cm acrylic on board.

I pass the old antique shop most days but today the three primaries of red, yellow and blue just seemed to stand out. I have some Liverpool paintings, printed onto acrylic in a group show at the Gallery by Cain’s brewery. It starts on Friday 13th May, the web says we’re not on until the week after but I’ve been assured it's wrong.


For further details and information:
T: +44 (0) 151 709 2442
E: arts@thegalleryliverpool.co.uk


+ Opening Times +

Monday - Friday 10.00am - 4.30pm
Saturday 10.00am - 2.00pm
Closed Sunday
View by appointment can be arranged

Monday, 2 May 2011

Art Class































For students attending the art classes simply access the painting we were working on and complete it in your own time if you need to finish. Read the handouts before starting. See you next week.

Brief recap

For the next 5 weeks we will be exploring watercolour techniques. This week we will be using acrylics like watercolour paint in the loose style of Charles Reid.

Loosen up and let accidents happen, if you don’t like them control them by lifting or adding more paint

Avoid over mixed palette colours. The less mixing you do the richer your paint quality will be, one way is to let your colour mix on the paper. Paint for the darks should be thick like soup and not watery. Don’t over mix, pick up the colours you need and mix them on the paper.

Brush hand on the paper to direct your brush. Start from the point. Push down to the ferrule and pull. Vary your brush marks from up, down and side to side; don’t paint up and down like you’re painting the bathroom door.

Clean the palette regularly and don’t be tempted to use a colour or value simply because it’s on the palette, clean it and make some more. Remember if it’s on the palette it will end up on your painting.

To get a crisp edge brush away from the hard edge you want to create, i.e. on paint away from the shape you want to keep hard.

Tie in the background, vary the edges.

Better to have a look of the unfinished, rather than to overdo it.

Sunday, 1 May 2011

Liverpool painting No.120. Salthouse Dock















21cm x 14cm, acrylic on canvas, £90

Completed yesterday, the year long, 'May I start May I finish', project that produced 120 studies of the city is officially over but it's a project I'm sure will continually run. Maybe I’ll be totally original and call it, ‘May I start May I finish II’.

Thursday, 14 April 2011

Liverpool painting No.118. Mossley Hill Drive.




















21cm x 14cm acrylic on canvas board £90.

I always thought the Marie Curie field of hope was confined to the city, not so they’re all over the British Isles

Wednesday, 13 April 2011

Liverpool painting No.117. Green Lane















21cm x 12cm acrylic on canvas £90

Painted from photos yesterday in Old Swan. I think someone suggested a while back I do another painting of Old Swan. Did I mention I was in Old Swan yesterday? :-)

Thursday, 7 April 2011

Speke Hall scullery painting.














21cm x 14cm, acrylic on canvas board

One of the paintings of the scullery items in Speke Hall, probably a few more to follow as the place is a treasure trove of the things we used to use. I like the way the room was left, almost as if the staff would return to use it at any time.

I have a still life in the show at Editions on Cook Street

Liverpool Open 2011

Liverpool Open Exhibition 2011 at Editions Gallery
Following on from the very successful 2009/2010 Liverpool Open Exhibition at Editions Gallery, Merseyside based artists and print makers are invited by Editions Ltd and LOACA.ART to submit work for the 2011 Liverpool Open Exhibition.
The exhibition will run from the 7 April (Private View) to the 7 May in Editions Gallery, Cook Street, Liverpool.

http://editionsltd.wordpress.com/